November Rain
Guns N' Roses
The piano intro almost every rock fan can hum — a rare case of a hard rock band leading with the keys.
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- Key
- C major on the page (the recording sounds a half-step lower, in B, because the band's guitars are tuned down)
- Tempo
- ≈76 BPM, moderately slow
- Difficulty
- Advanced — 11 pages, a wide chord vocabulary, and a genuine multi-section rock ballad
- Format
- 11-page piano/vocal arrangement with guitar chord diagrams
Nine minutes, a decade in the making
Axl Rose wrote “November Rain” alone, reportedly over most of a decade, before Guns N' Roses finally recorded it for 1991's Use Your Illusion I — he's cited Elton John's piano ballads, especially “Sorry Seems to Be the Hardest Word,” as a direct influence. At just under nine minutes, it's one of the longest songs to ever reach the Billboard Hot 100, and its music video, drawn from a Del James short story, was one of the most expensive ever made.
It's also a rare case of a hard-rock band leading with a piano part instead of a guitar riff — Slash's now-famous solos don't show up until well after the piano has already carried the entire song on its own.
Why the key on the page doesn't match the record
This chart is written in C major, but Guns N' Roses tune their guitars down a half-step, so the actual recording sounds in B major. That works fine for a guitarist — the same finger shapes just ring out a half-step lower once the strings are detuned. A piano can't do that: there's no “detune” option, so whatever key you physically play is the key you actually hear. If you want your piano to match the record's exact pitch, you'd need to transpose this chart down into B major; playing it as written in C gives you the same chords and feel, just a half-step brighter than the album.
Treat it as five short songs, not one long one
This is the longest, most demanding piece in this collection, and it's easier to learn as a sequence of sections than as one continuous read-through: the opening verse and pre-chorus, the first chorus, a quieter middle section, the extended guitar-solo interlude, and the dramatic minor-key outro each have their own chord vocabulary and feel. Get each section solid on its own — including the trickier Dm9 and Csus4 voicings in the verse — before trying to connect them at tempo.
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